The Society of Audiovisual Authors (SAA) congratulates Poland on the implementation of the 2019 Directive on Copyright in the Digital Single Market and the Directive on Retransmission. After a long uphill battle, a historic milestone has finally been reached.

The SAA and several of its members hereby send a letter to all parties concerned in the relevant proceedings initiated by the Antimonopoly Office of the Slovak Republic against LITA - the Slovak Society of Authors and member of the SAA.

The SAA have sent a letter to Polish authorities about the draft law of 14 February 2024 implementation of the DSM Directive. The SAA raised its concern with regards to respect of the audiovisual authors’ remuneration for the on-demand/online uses of their works.

A broad coalition of over 200 organisations in Europe’s creative and cultural sectors call on EU-countries to show global leadership and approve the AI Act.

The political compromise reached between the EU Parliament, Council and Commission on the EU AI Act on 8 December is now being finetuned at technical level. The SAA welcomes the agreed upon transparency obligations of general-purpose AI models’ providers operating in the EU market. The technical discussions must now consolidate the political agreement, without weakening its scope, and make transparency a reality.

As the EU Council, Parliament and Commission third trilogue negotiations’ meeting will take place next week, the SAA strongly calls on the negotiators to build on the EU Parliament’s proposals to impose transparency obligations on the providers of foundation models and to establish clear rules that protect and promote the continued development of human creativity and original works.

Authors and other creative professionals are the key actors in the creative value chains and deserve to be treated fairly. Their rights should be recognised and their contribution to society and the economy valued, writes EU Member States’ expert group in its recent report on the status of the artists. Their proposal, a legal status for artists and creative professionals is not a privilege nor an honorary title, it is a way to reduce social and economic disadvantages.

A broad coalition of 73 European and national organisations from the audiovisual and cultural sectors addresses the EU Commission, Council and the Parliament with a joint letter expressing their concerns over the EU Commission’s proposal for the European Media Freedom Act.

On 9 May, the European Parliament adopted its report on the implementation of the Audiovisual Media Services (AVMS) Directive. We, organisations representing European audiovisual screenwriters, directors, composers, producers, distributors and sales agents, take this opportunity to insist on the importance of the AVMS Directive as the cornerstone of cultural regulations fostering European audiovisual creation, production and distribution.

The adoption of the EU Directive 2019/790 on Copyright and Related Rights in the Digital Single Market (The Directive) was a great victory for authors after three years of intense negotiations and strong opposition from content sharing platforms like YouTube.

The ‘SatCab II’ Directive (EU) 2019/789, on copyright and related rights applicable to certain online transmissions of broadcasting organisations and retransmissions of television and radio programmes expanded the scope of the first Directive 93/83/EEC. It regulated retransmissions by other means than cable, direct injection and domestic retransmissions. What is the outcome of the implementation in the 24 Member States that have transposed the Directive so far?

Slovenia ranks 12th on the European Gender Equality Index, it performs particularly well in terms of access to financial resources and has recently progressed in participation in decision making. On the other hand, the audiovisual sector does not seem to progress in the same pace.