A brochure presenting the SAA and CMOs, aggregated collections and facts and figures on the audiovisual market. The brochure is accompanied by topic-specific cards with a brief background, some facts, and how Members of the European Parliament can help.
The political compromise reached between the EU Parliament, Council and Commission on the EU AI Act on 8 December is now being finetuned at technical level. The SAA welcomes the agreed upon transparency obligations of general-purpose AI models’ providers operating in the EU market. The technical discussions must now consolidate the political agreement, without weakening its scope, and make transparency a reality.
As the EU Council, Parliament and Commission third trilogue negotiations’ meeting will take place next week, the SAA strongly calls on the negotiators to build on the EU Parliament’s proposals to impose transparency obligations on the providers of foundation models and to establish clear rules that protect and promote the continued development of human creativity and original works.
On the occasion of the adoption of the European Parliament report on the Artificial Intelligence Act, the SAA issues a statement to welcome the report that partly addresses generative AI, while challenges for creators remain.
A broad coalition of 73 European and national organisations from the audiovisual and cultural sectors addresses the EU Commission, Council and the Parliament with a joint letter expressing their concerns over the EU Commission’s proposal for the European Media Freedom Act.
The SAA welcomes the Commission’s proposal for a European Media Freedom Act and its objective to protect media freedom, independence and pluralism, as well as journalists. Indeed, it is crucial to make sure that the public and private media are able to freely express opinions without interference from governments. However, it is important to make sure that the EMFA regulation doesn’t create any legal uncertainties, especially those that may have adverse effects on European cultural diversity.
On 9 May, the European Parliament adopted its report on the implementation of the Audiovisual Media Services (AVMS) Directive. We, organisations representing European audiovisual screenwriters, directors, composers, producers, distributors and sales agents, take this opportunity to insist on the importance of the AVMS Directive as the cornerstone of cultural regulations fostering European audiovisual creation, production and distribution.
The adoption of the EU Directive 2019/790 on Copyright and Related Rights in the Digital Single Market (The Directive) was a great victory for authors after three years of intense negotiations and strong opposition from content sharing platforms like YouTube.
The ‘SatCab II’ Directive (EU) 2019/789, on copyright and related rights applicable to certain online transmissions of broadcasting organisations and retransmissions of television and radio programmes expanded the scope of the first Directive 93/83/EEC. It regulated retransmissions by other means than cable, direct injection and domestic retransmissions. What is the outcome of the implementation in the 24 Member States that have transposed the Directive so far?
Audiovisual authors’ rights in Europe and Latin America, an online event with testimonies from audiovisual authors in Brazil, Chile, Poland, and Slovenia, and with experts from the Latin American Audiovisual Authors Societies Federation, SAA, and the International Confederation of Societies Authors and Composers.
The SAA addresses the Polish Prime Minister and Minister of Culture, calling for support to the Polish model of statutory remuneration for audiovisual authors to be extended to on-demand usages. Such a reform wiould establish a level playing field and safeguard authors’ rights.