On 6th May the European Commission will announce its strategy for the Digital Single Market.

“The European cultural economy can’t exist without creators” says Commissioner as he hears German creators’ views on future European authors’ rights reform.

If you could go back, knowing what you know now, what would you change about the 2001 Copyright Directive?  This seems to be the premise for Julia Reda’s evaluation draft report on the much maligned directive.  But is this the right way to do it?

A very happy new year from the SAA team to all our readers! So, what lies ahead in 2015 in terms of policy and court cases of interest to Europe’s screenwriters and directors?

On the eve of Saint Nick’s visit to the Netherlands, Belgium, Luxembourg and the eastern and western reaches of France and Germany respectively, an old-fashioned game themed post.

German screenwriter and SAA patron, Fred Breinersdorfer, to speak at European Voice Copyright 2015 conference and underline the need for authors interests to also be part of the discussions on copyright reform and cross-border access.

Today is the big one. SAA and anyone else in the audiovisual sector is now under no doubt of which hearing they need to follow. Günther Oettinger.

Culture portfolio is losing departments as well as prestige and importance.

The clock strikes 12.

The SAA is calling on European screenwriters, directors and their professional organisations to reply to the public consultation.

Now that the dust has settled from last week’s Licences for Europe plenary, I thought I would share some thoughts about the process and outcomes here.

Joint FERA, FSE and SAA contribution to converged media green paper underlines importance of AVMS Directive in guaranteeing future health of EU audiovisual production.